A “Masonic” building in Soviet style

If you look closely at the design of the building located at Universytets’ka Street, 9, you can see many Squares and Compasses.

Photo: Ivan Ponomarenko, 2021

Photo: Ivan Ponomarenko, 2021

But in this case, they have nothing to do with Freemasons—it is a symbol of architects.

Photo: Ivan Ponomarenko, 2021

Photo: Ivan Ponomarenko, 2021

Photo: Ivan Ponomarenko, 2021

The building was completed in 1953.

Photo: Ivan Ponomarenko, 2021

The project in socialist classicism style was designed by G. G. Vegman and E. Belman.

Photo: Ivan Ponomarenko, 2021

According to residents, people began moving into the building as early as 1952, when the main wing was completed.

Photo: Ivan Ponomarenko, 2021

The building was constructed on the site of the Gostiny Dvor buildings, which were destroyed during World War II.

Photo: Ivan Ponomarenko, 2021

The building is adorned with sculptures of a worker and a collective farm woman holding a plaque bearing the year the building was constructed (1952).

Photo: Ivan Ponomarenko, 2014

The sculptures of a worker and a collective farm woman are the typical symbols of a Soviet era, when the Atlanteans and caryatids in building designs were replaced by more realistic figures.

Photo: Ivan Ponomarenko, 2014

Photo: Ivan Ponomarenko, 2014

There is also a clock on the house, but unfortunately, it doesn’t work.

Photo: Ivan Ponomarenko, 2015

The building is a partially revised version of a design previously implemented in Zaporizhzhia. The building there is located at Sobornyi Avenue, 232; it was built in 1949 and features the same roof sculptures, though its decorative elements are less elaborate.

Thanks to Uładzimir Sadoŭski for the magazine photo of the building still under construction in Kharkiv.

Photo: Ivan Ponomarenko, 2021

Here’s an interesting fact: from the courtyard of this Kharkiv building, you can clearly see the wall built above the top floor (note the spot in the photo where the bell tower is visible).

Photo: Ivan Ponomarenko, 2021

The fact is that the level of the flat roof is lower than the height of the facade, which the architect raised for aesthetic and symmetrical reasons.

Photo: Ivan Ponomarenko, 2021

This niche most likely originally held a portrait of one of the Soviet leaders.

Photo: Ivan Ponomarenko, 2021

The building entrance isn’t particularly grand or imposing, though it does look nice.

Photo: Ivan Ponomarenko, 2021

You can see remnants of tiles on the balconies.

Photo: Ivan Ponomarenko, 2021

The wing of the house on Kvitky-Osnov’yanenka Street was most likely the last part to be completed.

Photo: Ivan Ponomarenko, 2021