Kharkiv Art Museum

The Kharkiv Art Museum is located in two neighboring buildings on Zhon Myronosyts Street.

“Reply of the Zaporozhian Cossacks”. Ilya Repin created two versions of the painting, the first is in St. Petersburg, the second, more historically accurate, was made in 1893 and is in Kharkiv. Photo: Ivan Ponomarenko, 2017

The street was one of the record holders for the number of renamings back in tsarist times: Kladbishenskyi Lane, Sadovo-Kulykivska Street, Starokladbyschenskyi Lane, Sadova Street, Kasperivskyi Lane, Serdyukivska Street, Mironosytskyi Lane.

Photo: Ivan Ponomarenko, 2018

It was also called Svidomosti Lane, Equality and Brotherhood, Radnarkomovskaya Street (from 1930s to 2015).

Triptych. Old Copy. Jan Van Eyck. Photo: Ivan Ponomarenko, 2017

The main building of the museum at Zhon Myronosyts Street, 11 was built in 1912-1914 according to the design of the architect Oleksiy Beketov for the beer magnate Ivan Ignatishchev, who owned the Rossiya brewery at Velyka Panasivska Street, 76.

Sketch by O. Beketov. Source: V. G. Zabolotny State Scientific Architectural and Construction Library

Photo: Ivan Ponomarenko, 2018

The building’s decor has preserved bas-reliefs with infant putti growing hops and harvesting.

Photo: Ivan Ponomarenko, 2018

During the struggles of 1917-1919, the building housed various government bodies, and for some time, the Central Council.

Photo: Dmytro Glazunov, Wikimedia Commons, 2021

“Girl in a Hat”, Galileo Pacini. 19th century. Photo: Ivan Ponomarenko, 2017

In 1922-1928, the building housed the Council of People’s Commissars (government) of the Ukrainian SSR. In 1923, it was visited by Fritdjof Nansen, who collected Western humanitarian aid during the post-war famine.

Photo: Ivan Ponomarenko, 2012

“Sviatoslav”. E. Lancere, 1886. Photo: Ivan Ponomarenko, 2017

After the Council of People’s Commissars moved in at the end of the 1920s, this building was transferred to the Ukr-Dipromez design institute. Some rooms were occupied by the Kharkiv Conservatory, where gifted children were taught.

“Chumak”, E. Lancere, 1870. Photo: Ivan Ponomarenko, 2017

Since 1932, the building has housed the T. Shevchenko Art Gallery.

Taras Shevchenko, “Baygushi”, 1853. Photo: Ivan Ponomarenko, 2017

During the German occupation, the gallery was renamed the T. Shevchenko House, and it was under the management of the Art Institute. On September 6, 1942, an exhibition of 220 reproductions of Shevchenko’s paintings was held here.

Taras Shevchenko, “Self-portrait in a cap and sheepskin coat”, 1860. Photo: Ivan Ponomarenko, 2017

On March 25, 1944, the State Museum of Ukrainian Art was established based on the collection of the Ukrainian State Art Gallery, which returned from evacuation.

Henryk Siemiradzki, “Isaurian pirates sell their booty”, 1880. Photo: Ivan Ponomarenko, 2017

The Ukrainian State Art Gallery was previously located at Yaroslava Mudrogo Street, 18. Its building, constructed in 1935, was burned by the Germans on August 16, 1943. This was done deliberately to conceal the scale of the theft of paintings before their retreat; most of the exhibits were looted by them during 1943.

Gallery at Yaroslava Mudrogo Street, 18, destroyed in 1943, drawing by O. Leybfreyd

The Shevchenko Art Gallery Building was also damaged – its roof was destroyed, windows were broken, and walls were pierced, but it was restored in a short time.

“Victim of Fanaticism” is one of the most famous paintings by the Ukrainian Wanderer artist Mykola Pymonenko (1899). The painting describes a real story about an attack by members of the Jewish community on a girl who fell in love with a Ukrainian blacksmith and decided to convert to Christianity in order to marry him. Photo: Ivan Ponomarenko, 2017

The Art Museum was opened on June 23, 1946 on the second floor of the building. The first floor until the early 1950s was occupied by the Art Institute and School, the art fund workshop, the regional board of the Union of Artists, etc.

Maria Raevska-Ivanova, “Girl by the House”, 1869. This outstanding Kharkiv woman was the first woman in the Russian Empire to be awarded the official title of Artist by the St. Petersburg Academy of Arts. Photo: Ivan Ponomarenko, 2017

The basis of the museum’s collection was a small part of the funds that managed to be evacuated in 1941. Most of the collection was lost – it was looted by the Germans in 1943, the rest were burned in the building on Yaroslava Mudrogo Street, 18. 4,700 exhibits out of 75,000 from the pre-WWII collection have been preserved.

Porfiry Martynovych, “Portrait of a Chumak by Fyodor Mihal”, 1880. Photo: Ivan Ponomarenko, 2017

However, the collection continued to grow after WWII. The museum faced a shortage of exhibition space, so from time to time, it held thematic exhibitions based on the collections of its funds, for example, exhibitions of Dürer’s engravings or Picasso’s work.

A. Dürer, “The Walk”, 1478. Photo: Ivan Ponomarenko, 2021

The museum’s collection roots dates back to 1805, from the collection of Kharkiv University and gifts from its graduates, which were replenished in the 19th century (the University had a Museum of Fine Arts and Antiquities).

P. Picasso, “Bacchanal”, 1959. Photo: Ivan Ponomarenko, 2021

In 1886, the City Museum of Art and Industry was organized in Kharkiv. As a result of their unification in 1920, the Central Art and History Museum of State Importance was established. In the 1930s, the museum’s funds were replenished with part of the collection of P. Kharitonenko from the estate “Natalivka”.

V. Tropinin, “Portrait of a Ukrainian Woman”. Early 19th century Photo: Ivan Ponomarenko, 2017

Initially, the Ignatyshchev estate had a plan in the form of the letter “П”, but after being transferred to the museum, it was “ringed” with an additional gallery for the convenience of visiting the exposition. Unfortunately, the interiors were mostly lost, in particular, the paintings by the artist Serhii Vasylkivsky, who made reduced copies of his paintings from the Poltava Zemstvo House in the interiors.

The second building of the museum is located next to the main building and is used as an exhibition hall for temporary exhibitions.

Exhibition hall. In 2020, a balcony collapsed here, and by February 2022 it was restored. Photo: Ivan Ponomarenko, 2021

This building at Chernyshevska Street, 18/9 was also built according to the design of architect Oleksiy Beketov in 1896 for the Sunday school for women, organized by Khrystyna and Oleksiy Alchevsky, which operated until 1919.

Photo: Ivan Ponomarenko, 2018

Sketch by O. Beketov. Source: V. G. Zabolotny State Scientific Architectural and Construction Library

Photo: Ivan Ponomarenko, 2018

A feature of the women’s school was the teaching of Ukrainian literature and folk song.

Photo: Ivan Ponomarenko, 2018

As a result of Russian missile strikes on March 7, 2022, both buildings were damaged.

Photo: 24 Channel, 2022

The facade was damaged, windows and stained glass were broken.

Photo: Kharkiv Art Museum, 2022

On June 14, 2026, the building was hit by another Russian drone.

Photo: State Emergency Service of Kharkiv Oblast, 2026

The roof and ceilings were destroyed, and the second floor was damaged.

Photo: State Emergency Service of Kharkiv Oblast, 2026

A fire broke out and could not be extinguished due to the threat of a second Russian strike on the State Emergency Service rescuers. Some of the collections, which had not been evacuated in 2022 and were stored in the building, were damaged. Rescuers, volunteers, and passersby saved the rest of the paintings from the museum just during the fire.