KHATOB

The building of the Kharkiv National Academic Lysenko Opera and Ballet Theatre (KHATOB) at Sumskaya Street, 25, is truly impressive. Construction took place from 1970 to 1991, and it was one of the most famous long-term construction projects in Kharkiv.

Photo: Ivan Ponomarenko, 2019

The amount of materials that allegedly “disappeared” during its construction became the talk of the town. If you look at photos taken during the construction of KHATOB, you can see that its structure relied on a wide variety of materials (steel trusses, cinder blocks, concrete, brick, etc.). All of this was finished with Artik tuff, a volcanic rock brought in from Armenia, which gives the building a Brutalist, monolithic concrete appearance.

Although this brutalist style merely mimics a massive concrete structure.

Photo: Ivan Ponomarenko, 2019

That said, there is some debate regarding the building’s stylistic classification—its form might suggest Brutalism, but its intriguing decor is reminiscent of Postmodernist architecture.

Props behind the scenes. Photo: Ivan Ponomarenko, 2016

The main hall seats 1,500 people.

Photo: Ivan Ponomarenko, 2016

The main hall has two tiers of balconies.

Photo: Ivan Ponomarenko, 2016

The small hall seats 400 people and hosts theatrical performances, although from 2000 to 2011 it housed the “Kinopalats” movie theater.

At the rear, there is an open-air amphitheater stage used for concerts and film screenings. Photo: Ivan Ponomarenko, 2021

Photo: Ivan Ponomarenko, 2021

The flat, paved area in front of HATOB has become a favorite spot for urban culture enthusiasts—skateboarders and BMX riders. Street culture festivals were regularly held here.

Photo: Ivan Ponomarenko, 2018

It’s easy to get lost in the building’s hallways, exterior and interior staircases, and landings. In the 1990s, the open exterior balconies were a favorite gathering spot for teenagers involved in alternative youth movements. Today, they are closed to the public.

Photo: Ivan Ponomarenko, 2016

The interior resembles the bulkheads of an aircraft carrier or an alien spaceship that has landed permanently on a landing pad in the city center.

Photo: Ivan Ponomarenko, 2016

You could spend hours walking around here, wondering, “What is this?” and “What is it for?”

Photo: Ivan Ponomarenko, 2016

The view looking up from below, right in front of the entrance, is particularly impressive if you stand under the canopy.

Photo: Ivan Ponomarenko, 2014

Photo: Ivan Ponomarenko, 2016

Photo: Ivan Ponomarenko, 2013

Photo: Ivan Ponomarenko, 2016

Inside, the front part of the building has plenty of space that is used for exhibitions and fairs.

Photo: Ivan Ponomarenko, 2017

Photo: Ivan Ponomarenko, 2017

The sculpture “Lysenko’s Music” (by sculptor S. Yastrebov). Photo: Ivan Ponomarenko, 2012

The project was led by a team of architects from the Kyiv ZNIIEP Institute: S. N. Mirgorodsky (project manager), V. D. Elizarova, N. V. Chuprina, R. N. Gupalo, and A. P. Zybina. In 1970, the design was quite innovative and bore a distant resemblance to Boston City Hall (1966).

Boston City Hall. Photo: Ivan Ponomarenko, 2018

Photo: Ivan Ponomarenko, 2020

The wings and basement of the HATOB house numerous cafés, workshops, and studios. The rear section of the HATOB, behind the stage, is a seven-story building that houses dressing rooms, set-making workshops, and technical offices—everything necessary for the operation of the opera and ballet.

Photo: Ivan Ponomarenko, 2016

The stage design workshop is located on the top floor and features skylights in the roof. Photo: Ivan Ponomarenko, 2016

In 2019, more than 750 people worked at the theater.

Photo: Ivan Ponomarenko, 2016

Of these, 300 are performers.

Photo: Ivan Ponomarenko, 2016

The basement houses a garage and rooms used for “alternative” events. The “Plan B” festival was held here.

Photo: Ivan Ponomarenko, 2019

And in 2019, it hosted one of the venues for the Biennale of Young Art.

Photo: Ivan Ponomarenko, 2019

In 2005, there were practically no advertising posters on the facade. Photo: Dmitry Ponomarenko

On March 13, 2022, Khatob sustained damage from Russian MLRS shelling.

Photo: KHATOB, 2022

The theater’s roof was damaged, and the skylights were shattered.

Photo: KHATOB, 2022

Many other windows were also damaged

Photo: KHATOB, 2022

Kharkiv artist Gamlet Zinkivskyi created a street art piece titled “Pencil of a Terrifying Reality. 22H” using one of the Russian missiles on the roof of the Kharkiv Academic Theater of Opera and Ballet.

Photo: Gamlet Zinkivskyi, 2022